The Ethical Dilemma That Is YouTube

I received an interesting e-mail today from someone who had seen a video I posted to YouTube some time ago. It probably was embedded in one of my posts about Soupy Sales, who, sadly, passed away last week. This blog usually gets 200-300 hits per day. On Friday, the number of visitors increased tenfold. That's a tribute to Soupy, of course, that has nothing to do with me.

Anyway, here's the e-mail:

...I have a video that was recorded from television back in 1978......the guest was [someone] I used to work for. Upon [that person's] death, I created a memorial w/photos and such for his family, and also put the interview [into] this. I'd like to put it on YouTube, and have no idea... if I do this, will it be OK? Just a regular guy trying to share this w/the world.....your thoughts? Thanks.

And here's my reply:

YouTube requests that anyone who posts a video on their site be the person who created the video or owns the rights to the video. Everyone ignores this, most especially YouTube itself, which, once you subtract the funny home videos, is an empire built on copyright infringement. Don’t listen to anyone who says “it’s OK,” because it’s not. But YouTube usually looks the other way.

I think many people who post to YouTube, myself included, simply want to share something they have that others might like to see. Legally, it makes no difference whether you post something in order to make money or you’re just looking to share. But reasonable people can draw a distinction between something shared just for the pleasure of doing so… versus something posted in an attempt to capitalize on someone else’s creative work.

YouTube actually sent me an e-mail today about the Soupy video. Incredibly, here's what it said:

Your video has become popular on YouTube, and you're eligible to apply for the YouTube Partnership Program, which allows you to make money from playbacks of your video.

Once you're approved, making money from your video is easy. Here's how it works: First sign into your YouTube account. Then, complete the steps outlined [at a web address]. Once you're finished, we'll start placing ads next to your video and pay you a share of the revenue as long as you meet the program requirements. We look forward to adding your video to the YouTube Partnership Program. Thanks and good luck!

Wow! If the video was mine, I might take them up on their offer. But I won’t do that in this case, because there’s no reason I should profit from something I didn’t create. I’m simply sharing something I like; I’m saying have a look, isn’t this great? Oh, I'll make a few comments, but really, this has nothing to do with me, and to turn it into a source of income would be wildly disrespectful to the memory of Soupy Sales – an entertainer I loved.

So what am I saying? I once asked myself exactly that. I spent a couple of hours trying to succinctly capsulize my philosophy on this issue, and the result appears at the bottom of every page of this blog:

This non-profit, ad-free blog seeks to promote interest in, and enhance the value of, any and all copyrighted properties (appearing here in excerpt-only form) for the exclusive benefit of their respective copyright owners.

In other words, if my clip reminds you how much you love Soupy... go out and buy his autobiography... or get someone to re-release the DVD's that have shot up to over 200 dollars on Amazon over the last couple of days... or write a letter to someone urging the official release of the full TV shows from Soupy's personal archive as well as the movie "Birds Do It," which I've never even been able to see!

I’m not a lawyer, and I don’t think anyone would object to your posting your [video], which is not to say that someone might not do precisely that. It sounds like sharing is what you have in mind, and – at least for those of us who post videos – that’s what YouTube is all about. Of course, in sharing our videos, YouTube makes money, none of which it forwards to the copyright owners.

- Don

I had another interesting communication from YouTube recently: I posted a birthday video – a picture montage I had put together for a party. For a soundtrack, I used a Fleetwood Mac song.

That, YouTube flagged instantaneously and immediately eliminated, pointing out that Warner owns the rights to that song. True enough. But wouldn't it be nice... wouldn't it be appropriate... wouldn't it be smart for YouTube to strike a bargain with the copyright holders to the effect that when YouTube detects one of your songs being used as a soundtrack, it will ask the person who posted it to pay a minimal, non-commercial, YouTube-only fee of a couple of bucks, a fraction of which YouTube would keep as a commission? I certainly would have been happy to pay a fee rather than post a soundless video.

At a time when the music industry needs to develop new streams of revenue, it seems only logical. It would take hard work to hammer out an agreement; it would be time-consuming and legally complicated. But here we have history repeating itself: the entertainment companies fought downloading, then gave away the store when Steve Jobs came up with iTunes. Instead of offering the answer "you can't do that," the rights owners should come up with a plan where you can do that, in a way that directs revenue to the artists and organizations that deserve it.

Or am I missing something? What do you think?

Recommended - Toon Treasury of Classic Children's Comics & The Infinite Worlds of H.G. Wells

Do you use the "Saved -To Buy Later" feature on Amazon. com? Purchases I can't quite justify or about which I'm somewhat conflicted wind up on this ever-expanding list, usually never to be resurrected.

Eventually, though, low price - $6.99 - liberated The Infinite Worlds Of H.G. Wells DVD (a three night mini-series that aired on The Hallmark Channel in 1991) from my STBL list. This was fortuitous; it's great entertainment. A clever premise links the story lines from 6 different Wells short stories (The Crystal Egg, The New Accelerator, The Remarkable Case of Davidson's Eyes, The Queer Story of Brownlow's Newspaper, The Truth About Pyecraft, and The Stolen Bacillus) and weaves them together into 240 minutes of terrific, engaging, intelligent, high production value television, reminiscent at times of The Avengers, at times of Dr. Who, at times Masterpiece Theater.

Another recent purchase:

The Toon Treasury of Classic Childrens Comics is a full-color, 352 page oversize volume that presents a terrific selection of some of the best comic book stories from the 1940's through the 1960's by Carl Barks (Uncle Scrooge), Sheldon Mayer (Sugar and Spike), John Stanley (Little Lulu), Walt Kelly (Pogo) and George Carlson (Jingle Jangle Comics), among others.

Sundays With Snyder - Number 10

June 16, 1992. Guest Ed Meese, President Reagan's ex-Attorney General. The interview is joined in progress. Then we have the Nightside Hour for phones.

Don't think Tom was terribly fond of Mr. Meese. If you remember the Hanna-Barbera character "Mr. Jinx," his signature phrase springs to mind...

Commercial breaks are included from the Meese interview - some seem germane, some were just funny or interesting. Once again, the topics still seem current, although many of Meese's positions have not stood the test of time... deregulation, for example. I love the caller who was "disenchatized" with Meese's handling of Oliver North.

There's quite a bit of the Snyder philosophy available in the Nightside Hour.



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Sundays With Snyder - Number 9

August 25, 1992: Tom takes a live feed from a newsman awaiting Hurricane Andrew ("Will New Orleans come away clean from this?"), interviews political pundit Eleanor Clift and actress Dana Delaney.

We're in the beginning of the Bush/Clinton campaign, post conventions, which Tom covers with Eleanor. (The more things change...)

Dana Delaney is, in a word, delightful.

(Photo: 1968)



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Sundays With Snyder - Number 8

Tom is ready for his interview with Martin Gross. You can hear it - he calls Gross's book terrific; he's laughing as the interview starts; he likes the idea that someone has documented waste in Washington.

But - very quickly - Martin Gross says things that strain Tom's credulity. Tom's smile disappears; he asks Gross to repeat a statement. For Tom, the answer is totally overboard. Tom realizes that he's got nearly an hour to go with this wacko. The tone of the interview changes; Tom starts taking shots at the guy... well, listen. You'll hear it happen.

Also - a partial (sorry) interview with comedian Rita Rudner.

June 22, 1992

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Sundays With Snyder - Number 7

This time out, an interview with Al Gore, who's promoting his book Earth In The Balance and the Nightside hour, featuring calls from listeners.

During Nightside, Tom can't seem to figure out how the then-new VCR Plus automatic VCR programmer works. Listeners try to explain it, but Tom still doesn't quite get it.

A notable hour because Tom - completely befuddled as to how the VCR Plus works - leaves the microphone for a minute or so while he searches the studio for the day's newspaper, which he believes will solve the problem once and for all. (It doesn't). While he's gone on this fool's errand, the control room plays an old TV theme (Holiday for Strings).

December 20, 1990

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